Do some very specific ideas emerge about your networking and sources? Does your engagement to date seem appropriate? Limited? Focused? Planned? Unplanned?
Promptly after part 3 of module 1 began, I asked myself what I was doing initially that reflected my networking, and the answer to that was just the norm. Web 2.0, and communicating with others when around about particular topics. However, now, I have developed an understanding of the importance of networking. Not only that, but I have come to the understanding of how important current networks have, and that I should elaborate on them which is what I am currently doing, in terms of creating a Linked in and separate site for photos and video footage. I now feel like I have a plan, and that plan is to get up to date sources of networking (communication), and put myself in situations where I will be meeting new people to network and make connections.
Are your ideas, position or concerns shared by others within and/or beyond your professional area of work?
In regards to being within a shared network of individuals that share the same outlook as me, it helps me a lot, and i'm sure that the other individuals too feel the same. For example, the network shared on BAPP arts. We all began this journey and we shall all most of the time, be studying around the same topics which gives a network of shared interest and allows us all to communicate with one another about similar topics. In addition to this, the dance industry is a small one, which means a tighter network, and it allows a greater success rate, because if you network yourself with people who are choreographers, practitioners etc, they will notice you and that proposes a higher success rate of booking a job.
Does sharing ideas and communicating with others shift your thinking/ planning or practice?
I would agree with the idea that sharing thoughts and feelings etc with others in a similar network shifts thinking/planning or practice because the ideas of others may work particularly well in comparison to thoughts and ideas of my own which would in turn persuade me to try out someone else idea, and vice versa. A network of a shared interest allows discussion, support and compatibility which strengthens ones dedication to a particular subject.
Does critical reflection help you to decide what really matters and actions to take?
Throughout this process, critical reflection has enabled me to understand what really motivates me and what path I am more likely to peruse, and one major factor which has enabled me to to this, is journal writing, as it allows me to reflect on my day each night, which when reading back puts things into perspective. Noting down a particular thought process allows me to think, and reflect on what outcome is best for me.
To what extent do concepts and theories assist you in thinking about your professional networking in different ways? And do these different ways of thinking have some purpose for you?
Researching into theorists such as Boud, Mood, Dewey, Turner and Wegner etc, has enabled me to think outside of the box, and it has encouraged me to experiment in regards to methods of networking, communicating, reflecting and critiquing, which has broadened my knowledge in to thought processes and professional practice which shall be explained in my critical reflection.
Are you left thinking differently prior to this part of the module? And if so, why?
My thought processes during this part of the module have definitely changed, and that is due to reading so much about different variations of networking, which has allowed me to gain an insight into which methods best suit me to put me in a good mind frame for marketing myself as a dance practitioner. I now understand what works in terms of networking such as, connectivity, affiliation, and cooperation, as well as more of an insight into the importance of ethical matters.
Followers
Wednesday, 23 November 2016
Task 3C Sources of Information
This task
shall aim to identify my personal five main sources of information, alongside a
critical reflection with regards to their importance to me and my practice.
This blog post shall also include a reference to other student’s blogs
identifying why and how they are useful to me.
Two sources
of information for me and my professional practice is networking and web 2.0.
Networking allows individuals to inform each other of information related to
their chosen practice, which is important for me because it allows opinions and
advice in a less formal format. However, networking too can be formal. For
example, through the use of web 2.0, such a Linked in, or a word press site,
and in comparison to this, it can also be much more informal, such as social
media sites like Instagram and Facebook. Networking to me allows individuals to
be personal and expressive. Web 2.0 allows great communication and has the
ability to let someone market themselves in the way that they feel is best
suited. In terms of copyright, I feel that social media sites are much more lenient
sources of information, in comparison to theorists and literature.
The third
piece of information which is important to me and my practice is research. Research
is such a broad topic and allows one to read and understand so many points of
view, which in turn can elaborate ones understanding and give them a critical
skill when analysing texts. It also can broaden an understanding and change
current opinions through reason, comparison and written argument. Research can
also help identify the opinions of others and why, and can be put into graphs,
charts or can be found out through a questionnaire which is something I previously
completed under the blog post, “Part 2 (Module 1) Skype session, reflection,
and Research”, where I conducted a survey on 10 individuals, asking them what
type of learner they considered themselves to be, and formatted my findings
into a graph. I found that it was
important to gain this research because it broadened my understanding of other people’s
point of view, which in turn made my knowledge stronger.
With regards
to the fourth type of information that I find useful, is journal articles.
Journal articles are often published in periodicals and allow recent
information regarding a certain topic to be found which is great when studying
or wanting to know information quickly, as a search engine with a key word
opens many journal articles in relation to the subject. However in terms of copyright,
if one was to take information from an article, it is plagiarism, as that piece
of writing was created by someone else, however completing research with
reference to a particular journal article is different, as it can be stated
that information was gained from another person’s work.
Lastly, I find
that case studies are a great method of retrieving information, as they are
real life and allow comparison between case studies. It is extremely beneficial
if a person wants pure fact and truth. However, to complete a case study,
psychologically, there are many factors that need to be taken into
consideration, such as ethical matters. If people are used in a case study,
they are the main source and it is important to take into consideration their
well being. For example, for privacy matters, instead of using their name, use a
false name, or a number. Case studies monitor developments and processes over
time. They are used to notice the difficulties of real life situations.
In
conclusion, I find that my main five most important sources of information are
networking, web 2.0, research, journal articles and cases studies. When looking
through other individual’s posts regarding the same task, I learnt that web 2.0
is a common method of finding information, and I think that this is primary
down to the fact that it is so popular within society and plays a huge part in
people’s life. It is also relatively quick (depending on the strength of wifi),
and easily accessible.
Tuesday, 22 November 2016
3a The Networked Professional
This task shall aim to explore the existing value of my current networks, with a reflection on how I intend to further develop my professional networks. The task shall also consider ethical concerns with regards to networking in the workplace.
Most of my current networks have arisen during my time training at a dance conservatoire, being taught by industry professionals and having completed modules which require networking. Having had lecturers that still audition and work within the industry, it has helped me on a personal level because i receive one to one advice, and quite often, have them dance alongside me in auditions which has been useful as they watch and inform me on what went well and what I could have improved on. For most auditions, it goes down to who you know, and with this is mind, i get introduced to other successful dancers in the industry through relations gained during my training. They also inform me on upcoming events which I would not have known about if these connections were not made. To enhance this relation, I am going to maintain undertaking classes and keeping up with training to not only improve my dance ability, but to also keep within the network which will allow me to hear first hand of upcoming auditions etc.
Other connections made during my training are from the theory based lecturers. As mentioned in previous tasks, I have frequently volunteered and led dance sessions at an SEN dance company for young teenagers which has allowed me to be recognized within the school with teacher professionals and because of this, they are aware of my ability and already know what I can offer which is such a positive aspect for me if I decide to apply for future employment within the school which may pull me apart from the other candidates. As a way of further extending this professional network i aim to in the nearby future, volunteer again to teach the company as a way of keeping myself known.
Aside form the current networks which I have currently gained during my time training, I have also gained sturdy relations through employment. Since the year of 2011 I have been a sports coach which has enabled me to get to know working professionals for the district council, which has been greatly beneficial to me as I am on the mailing list for graduate employment for when I receive my BA Hons after the duration of this course. Through this, I also get to work alongside teacher professionals of primary and secondary education which allows me to gain insight into the job itself from an internals perspective.
In addition to this, I have enrolled on a seminar in Coventry through education.gov (details in my blog post "Get into Teaching"). I have chosen to do this, not only to get advice with regards to life in the classroom, but to network with teacher professionals near me. I also think that attending this seminar will further elaborate on my current understanding of ethical concerns within an education environment, for example, safe guarding.
With regards to consideration into ethical concerns for networking in the workplace, I think it relates entirely on the relationships made, the employers ethos and the client group. For example, networking as a performer requires self marketing to get your performance skills and choreographic ability known to others in a similar network who may notice you which is a path for employment. Methods of doing so may include class video footage of uploaded on a web 2.0 platform, however, working in a government education setting, this would be acknowledged as a violation on ethical grounds as child policy is very important to protect their well being.
generally, I aim to maintain my networking with current dance practitioners through voluntary work and also through web 2.0. For example, I have just created a Linked in account, a separate Flickr account which divides my social life from work life, and I also aim to refresh my word press site. In addition to this, I wish to create a show reel which i can send to network professionals, and post on web 2.0.
Most of my current networks have arisen during my time training at a dance conservatoire, being taught by industry professionals and having completed modules which require networking. Having had lecturers that still audition and work within the industry, it has helped me on a personal level because i receive one to one advice, and quite often, have them dance alongside me in auditions which has been useful as they watch and inform me on what went well and what I could have improved on. For most auditions, it goes down to who you know, and with this is mind, i get introduced to other successful dancers in the industry through relations gained during my training. They also inform me on upcoming events which I would not have known about if these connections were not made. To enhance this relation, I am going to maintain undertaking classes and keeping up with training to not only improve my dance ability, but to also keep within the network which will allow me to hear first hand of upcoming auditions etc.
Other connections made during my training are from the theory based lecturers. As mentioned in previous tasks, I have frequently volunteered and led dance sessions at an SEN dance company for young teenagers which has allowed me to be recognized within the school with teacher professionals and because of this, they are aware of my ability and already know what I can offer which is such a positive aspect for me if I decide to apply for future employment within the school which may pull me apart from the other candidates. As a way of further extending this professional network i aim to in the nearby future, volunteer again to teach the company as a way of keeping myself known.
Aside form the current networks which I have currently gained during my time training, I have also gained sturdy relations through employment. Since the year of 2011 I have been a sports coach which has enabled me to get to know working professionals for the district council, which has been greatly beneficial to me as I am on the mailing list for graduate employment for when I receive my BA Hons after the duration of this course. Through this, I also get to work alongside teacher professionals of primary and secondary education which allows me to gain insight into the job itself from an internals perspective.
In addition to this, I have enrolled on a seminar in Coventry through education.gov (details in my blog post "Get into Teaching"). I have chosen to do this, not only to get advice with regards to life in the classroom, but to network with teacher professionals near me. I also think that attending this seminar will further elaborate on my current understanding of ethical concerns within an education environment, for example, safe guarding.
With regards to consideration into ethical concerns for networking in the workplace, I think it relates entirely on the relationships made, the employers ethos and the client group. For example, networking as a performer requires self marketing to get your performance skills and choreographic ability known to others in a similar network who may notice you which is a path for employment. Methods of doing so may include class video footage of uploaded on a web 2.0 platform, however, working in a government education setting, this would be acknowledged as a violation on ethical grounds as child policy is very important to protect their well being.
generally, I aim to maintain my networking with current dance practitioners through voluntary work and also through web 2.0. For example, I have just created a Linked in account, a separate Flickr account which divides my social life from work life, and I also aim to refresh my word press site. In addition to this, I wish to create a show reel which i can send to network professionals, and post on web 2.0.
Monday, 21 November 2016
Task 2D Inquiry
So this task of part 2 module one marks the last task, which
had me thinking how fast this year is going. Initially when I learnt that the
course was 16 months, I thought, ‘wow that’s a long time’, and it most
definitely isn’t! So without further a doo, here goes task 2d.
This part of the module focuses primarily on how reflection
can relate to us personally, and what occurrences take place daily in our
professional practice which leads us to reflect.
What in your daily
practice gets you really enthusiastic to find out more about? Who do you admire
who also works with what makes you enthusiastic?
One thing that greatly makes me enthusiastic during my
professional practice is taking class and learning from not only the teacher in
the room but the other participants. One thing which I love to notice, is the
variations of movement that each individual has. Some dancer’s movement quality
is fluent, whilst others play more on sharp stops and starts, however the
choreography is the same, but the routine when performed looks different on
each dancer. It is the sense of individuality that inspires me from taking
class and helps me to take different characteristics that each dancer has which
I like, and try to add it to my own movement
style. This can also relate to the beats which each dancer hits within
the music. For example do they hit consecutive beats, pro long the movements to
coincide with high hats, or play on the lyrics. In terms of performances, apart
from freestyle, all dancers for the majority of jobs are regimented and consist
of dancers who have mirrors of one another for imagery purposes which limit the
choice of movement, which is why I am mainly enthusiastic with taking class.
Commercial/hip hop Choreographers who fascinate me with their movement quality
and musical knowledge are Ian Eastwood, Tricia Mirande, and Yasmine Ogbu to
name a few.
What gets you angry or
makes you sad? Who do you admire who shares your feelings or has found a way to
work around the sadness or anger?
Although I have chosen my area of strength to be within the
commercial/hip hop industry, I also adore contemporary works, not only
performing and training in it, but learning about it. There is nothing specific
that makes me angry or sad, however I do still feel these emotions as every
other person, so a choreographer who I admire who works around the sadness and
anger is that of is Martha Graham. When I first watched her performance of
lamentation I was caught in the moment, I could feel the grief and sadness that
she was trying to portray and it inspired me to think deeper into choreography.
Movement doesn’t always have to be about what looks ‘good’, it is an internal
thing which can tell a story or express emotion. Below is a link to her performing the piece
with an introduction spoken by her.
What do you love about
what you do? Who do you admire who also seems to love this or is an example of
what you love?
Aside from the love of performing and moving in general
because of the positive emotions that arise from it, I also love to teach the
art of dance, or just teaching in general. I find that it is highly rewarding and
it enables you to help improve and watch someone’s development in terms of
confidence, social skills and dance ability. During my training at Addict Dance
Academy, I undertook a three week placement with a SEN dance company called
‘Sidekick’, who each week learned something new and I could see their
progression in such a short space of time. I also assisted with their performance
at the ‘Curve’ theatre in Leicester, and one memory which will always stay with
me was when a teenage boy who suffered with Down Syndrome refused at the last
minute each night of their show to go on for his number, and on the last night
he asked if I would go stage with him and he did. That sort of confidence that
built up over three nights was astonishing and is one of the reasons of why I
love to teach. To me, dance is not about how many pirouettes you can perform,
or how many companies you are accepted into, it is about the enjoyment it
fulfills and the growth of a person it can assist with.
The practitioner who I admire that runs this company is
Charlotte Tomlinson and assistant practitioner Kirsty Clarke. They inspire me
because when observing, I can see their passion and general love for what they
do, and all of the students are so enthusiastic and enjoy all of the sessions. Below
is a link to their company webpage.
What do you feel you don’t
understand? Who do you admire who does seem to understand it or who has found a
way of making not understanding it interesting or beautiful, or has asked the
same questions as you?
For me, I am currently in a place of confusion with regards
to my future, and what path to take. Do I keep pushing and auditioning for
dance work or do I focus solely on enhancing my teaching career? If so, primary
or secondary education? Or how can I use both my performance skills and
teaching skills in the working industry? From my training during gaining my HND
qualification, the theory teachers (as well as the other practical teachers),
were freelance dance practitioners. They had so much experience to offer, and a
wide rang too which I really admire. Not only could they perform and had
experience of it, but they taught a variety of target groups, adults, SEN, toddlers.
Some worked for a company who toured around the community, and one teacher even
had a book out regarding safe practice for dancers.
How do you decide the
appropriate ethical response in a given situation? To what extent are
disciplinary responses different to that you might expect more generally in
society? For example, what level of physical contact would you deem appropriate
(and not) from another professional that you would find unacceptable more
generally? Why?
For me, deciding the appropriate ethical response in a given
situation depends on the profession. For example, dance and marketing oneself as
a performer/choreographer requires use of web 2.0. Such as sharing online
footage of a class you taught to get the attention of other surrounding
practitioners to notice your work. However this would be seen as inappropriate
in a primary/secondary school setting. For me, understanding what is expected
of you in a given situation, and being confident regarding do’s and don’ts is
extremely important, because if we misjudge the importance of ethical issues,
we give ourselves a bad reputation.
Tuesday, 15 November 2016
Reflective Theory (short essay form)
Task C: Reflective Theory
This piece of written
documentation aims to explore what key thinkers have written about reflection,
with reference to Reader 2, literature, and online sources. It will also
explain my relationship with reflective practice through the duration of this
course so far, and from events that have taken place prior to the course.
Critical thinking
Critical thinking, otherwise
referred to as active thinking, is the process of actively applying information
through the use of experience, reflection and reason before carrying out a
particular action (www.criticalthinking.org, 2016). In addition to this, E.
Glaser (1941), introduces three properties which critical thinking should
include, which are, the ability to consider issues that arise from ones
experiences, the ability to reason logically, and the ability to apply the
above methods in the correct way, with a thoughtful manor. He also states that
critical thinking has a requirement to establish issues/problems, and to
distinguish between practical solutions and theoretical solutions in order to
establish an outcome and a correct, well suited solution to the problem/puzzle that
has arose. Information must be gathered, tested and retried, in order to find a
logical explanation.
“…it
is possible to examine reflective practice simultaneously as a mode of thinking
(Dewey), a way of thinking (Schon), and as critical reflection (Freire) (Lyons.
N, 2010).
If one cannot be critical of
scenarios taking place, and do not do so in an active method, but can observe
significant changes , those particular changes are unknown, and therefore they
cannot take advantage of the changes taking place (Freire, P., 2013).
Theorists
Defining reflection is
something that many theorists have done, however the work of Dewey, is
something that was considered to be the grounds of reflective thinking. He identified
reflective thinking as an active yet cautious method of considering an
experience or form of knowledge. He defined the process as a way of
understanding and defining what is not working in a puzzle. However, Kolb
identifies reflection as a method of learning for the individual through
experimental circumstances, Boud uses models as a way of reflecting in terms of
education, and Schon uses reflection whilst in action and on action, for
example, we can reflect during a circumstance and/or afterwards (D, Boud et al,
2006).
Kolb identified the differentiation
between individuals.
From Kolb’s learning cycle, it is clear that we all have a
concrete experience, a reflective observation, an abstract conceptualisation,
and an active experimentation, however Kolb notices the variations between each
person, in a sense that we learn something new and notice that something is
missing at different points of the cycle (appendices 1). Kolbs cycle helps an
individual to reflect on how we as a person learn and how we go about a
particular experience.
H, Garner took this approach
that states we all have differentiating methods of learning, and introduced the
theory of ‘multiple intelligence's’. It is used when we reflect upon a different
outcome, when experiencing and learning, because there are different learner
methods, such as; spatial, verbal-linguistic, logical-mathematical,
bodily-kin-aesthetic, musical, interpersonal, intrapersonal and naturalistic (appendices
2). In addition to this, J, Moon also used the concept of learning to help
define reflection, however she did so through use of journals. She stated that
there wasn’t one specific method of learning that came from journals, however,
she notes that there is a difference between writing descriptively, and writing
reflectively. It is informal, deliberative, and gains emotion, which encourages
a thought process (J A, Moon, 2006).
D, Schon, as previously
mentioned, introduced the idea of reflecting on an action, or after the action,
which is considered to be more of a ‘there and then’ approach, fix it whilst
you are doing it. This theory has similar aspects to that of Dewby’s approach,
in a sense that he observed how different approaches can be made between
present and future solutions, and that we might engage with our experiences
differently, depending on whether we deal with them now or later (Dewey, 1933).
Through research into
reflective practice and critical thinking, I can acknowledge that although the
base of these theories stem back to the early/mid 1900’s, I can understand that
these theories are still greatly accepted and used even today, because writers
still use the core of all of the thinkers work but just slightly adapt from it,
such as Gardner elaborating on Kolb’s learning cycle with the concept of multiple
intelligences (VAK). This research and critical writing exercise has helped me
to challenge key thinkers and to understand the basis of each of their methods,
which in turn have inspired me as an individual to reflect on my experiences.
Especially from the work of Moon, who explains in her work ‘Learning Journals’,
that being a teacher and learner are two different concepts, because what a
teacher might be teaching, is not specifically what the learner might learn,
but they are still learning something.
In the future, I aim to keep
my experiences written down in a journal, but as Moon has expressed, the journal
is a secondary process of the learning, and so to capture my learning
experience as it happens, I am inspired to search for a method to do so. For
example, video class footage of me learning a routine and picking up the
choreography, instead of recording the routine at the end because that is not
capturing the process, just the product of that particular moment.
References
Boud, David;Cressey,
Peter;Docherty, Peter. 2006., Productive
Reflection at Work. [online]. Routledge. Available from:<http://www.myilibrary.com?ID=45086>
15 November 2016
Critical thinking.org
[online]. Available from:
[Accessed 14.11.16]
Dewey, John (1933). How we think, 2007 reprint, Champaign:
Standard publications, Inc.
Edward M. Glaser. 1941. An Experiment in the Development of
Critical Thinking, Teacher’s College, Columbia University.
Freire, p. 2013. Education
for critical consciousness. [Online]. 2nd edn.
Bloomsbury Academic. Available from: https://books.google.co.uk/books?id=zUpMAQAAQBAJ&printsec=frontcover&dq=critical+thinking+paulo+fre&hl=en&sa=X&ved=0ahUKEwjn2sbO56rQAhXmJMAKHTs1DAEQ6AEIITAB#v=onepage&q&f=false
15th November 2016.
Jennifer A. Moon. 2006. Learning Journals. A handbook for reflective
practice and professional development. 2nd edn. Routledge.
Nona Lyons. 2010., Handbook of Reflection and Reflective
Inquiry: Mapping a Way of Knowing for Professional Reflective Inquiry.
[online]. Springer US. Available
from:<http://www.myilibrary.com?ID=283895> 15 November 2016
Appendix
1.
Simplypsychology.org
{online]. Available from:
[Accessed
15.11.16]
2.
Mydiscoverypreschool.org
[online]. Available from:
[Accessed
15.11.16]
Monday, 14 November 2016
Journal Writing Experience
This post shall aim to critically reflect upon one specific day that has encouraged me to reflect the most during the past few weeks of me writing a journal. Over the course of the past few weeks, I have varied my writing approach allowing me to be more in depth. For example, asking myself questions in the passages, and coming up with different answers which inspires me to think. I enjoy using spider diagrams when I ask myself questions in my journal passages. I find that they allow trails of thought processes to progress and develop, there is never just one answer, there are many.
Below is an image of the spider diagram I created,the night after the audition, and although from another person's perspective it may seem jargon, it makes sense to me, which is an example of why journals are so personal and important for ones growth.
Below is an image of the spider diagram I created,the night after the audition, and although from another person's perspective it may seem jargon, it makes sense to me, which is an example of why journals are so personal and important for ones growth.
In terms of ethical considerations, I covered the artists name and fortunately I did not use any other name or reference to anyone else, which when reflecting, I could do in future, to remind me of who booked the job, and to see if there were similarities between the dancers who were chosen, and to compare them to myself. In addition to the spider diagram, I also wrote my daily entry which I shall take the most relevant extract from which proves that I reflected from my experience. I also found that as time progressed, I noticed a slightly negative approach to myself as I had been unsuccessful in auditions which was emotionally straining and frustrating.
"Although I was familiar with.... 's choreography as I had been taught by him in the past and had been chosen by him for company, and many performances and jobs, it goes to show that everybody looks for different attributes and are drawn to different things in a person, whether it be their image, or movement quality. Sadly this time I was unsuccessful and felt rather down afterwards, because during my training I had a good work ethic, and always attended extra classes, but I did gain something from the audition, which the successful dancers did not gain on that particular day, and that was having a knock back, knowing what it feels like, and feeling a sense of passion for the next audition.''
*In the above extract, I had removed the choreographer's name for ethical purposes. I had not asked for consent to include their name in a public written forum.
On this particular journal entry, it was near the beginning of part 2, module 1, and so my methods of writing were initially;
Description- describing the day. What had happened, what I did.
Initial reflection- My feelings, thoughts and emotions to particular scenarios.
What if-having a positive outlook, explaining what would be the outcome if A and B were completed for ex.
Evaluation- reflecting on what went well and what did not go so well.
Charts & diagrams -The use of a spider diagram to promote a trail of thought. I found it good for imagery too.
More recently, I have been writing about the perspectives of others, which is a method that I was not entirely used to when using it as a way to reflect in a diary entry. Below is an extract from Sunday 13th November, 2016, considering the view of a gym member at work whom I had to deal with regarding their complaint.
"One particular member complained to me that when the two minutes silence was taking place downstairs in the club, the music of the gym upstairs was still playing, and people were still talking upstairs. I then explained that my manager had requested me to inform people that it was just the club room that were completing the two minutes silence and that it was not my fault, and that I was extremely sorry. However, the member was speaking to me as if it was my own fault when it was completely out of my minds, but if it was up to me, the whole of the club would have completed the two minutes silence, little did she know. In terms of reflections from this experience, I learned two things. The first one being, not to accuse someone just because of their job role or company, because even know we are told one thing from managers etc, it does not necessarily mean that we agree, we are just merely doing our job duty. This could be anywhere, for example, blaming the delivery workers for a parcel being delivered late, because they wouldn't have worked in the depot port. It is not their fault, they are merely standing by their brand as it is their job, but a polite comment would go a lot further. I also put myself in the members position. Of course, the first place to go when there are queries or complaints is reception, which is my base at work, so I can understand as to why she would have thought that the two minutes silence scenario was my fault."
So far, I have enjoyed writing up my day and using different techniques to do so as opposed to just using the norm of methods. For future, I shall aim to use video footage of me speaking about reflection and shall research into other ways to do so as the time progresses. Please feel free to comment on your thoughts, and methods you have used to help inspire me. Thank you!
Reflective Practice
For the past few weeks I have been keeping a diary in
written form as a method of helping me to reflect on daily activities. I have
never kept a journal before and so far I can definitely say how much of an
effect it has had on me. Some days when I go to write about my day, there is
nothing that has happened that has had that WOW factor, which at first made me
think that I am not achieving what I should be achieving for a number of
reasons, for example, I am not a member in a dance company, or I have not yet
been successful in a commercial dance audition, and so I do not have a ‘dance
day’ to write about (professionally anyway). However, I was completely wrong. Taking 20
minutes at the end of each day has made me reflect on my day, and has helped me
to understand that every scenario needs a process and constantly I am training,
auditioning and studying, which in itself is an achievement, as it allows me to
give myself opportunities to reflect as a person, which in turn allows me to
progress. I also like to read back through my journal and re-read my thoughts
and feelings of a particular day and compare it to other days, as well as
having a piece of writing that is completely private so I don’t have to feel
the need to re write certain parts because they wouldn’t make sense to the
reader, because that reader is me, which makes the journal completely personal,
and this journal process so far has allowed me to express, evaluate and most
importantly reflect.
What is a journal?
‘’A daily record, as of occurrences, experiences, or observations.’’(dictionary.com,
2016). A journal is a written method of practice that enables writers to give a
written account of their experiences, with a critical reflection, which allows
the individual to keep a personal account of their progression and development
as a person. It allows self-choice, such as the method and style of writing,
the use of book, and the language style.
Why a journal?
I initially chose a journal as a method of writing down my
thoughts because I have always enjoyed writing. At school, through my GCSE’s
and A-levels, and in Higher education, writing has always been enjoyable for
me, and didn’t necessarily always feel like ‘work’. For me, writing is special
and is the oldest method of primary data. I find it traditional and it allows
me to be personal, because we all share different methods of writing and even
as far as the differentiation of ‘neat and messy’ handwriting without our
writing being categorised in a certain font or size.
‘’Our whole lives we
are told to write a certain way, to use a number two pencil and stay within the
lines, to fill up exactly three pages with our thoughts on a specific theme,
being sure to include topic sentences and a conclusion. Journaling is
different. With journaling, there are no rules, no rights or wrongs. You might
decide to share parts of your journal, but, fundamentally, your journal is for
you. So you're in charge. Your journal is a space where you're absolutely free
to express yourself.’’(creative-writing-now.com, 2016).
Creative-writing-now.com [online]. Available from:
[Accessed 14.11.16]
Dictionary.com. [online]. Available from:
[Accessed on 14.11.16]
Monday, 7 November 2016
Get into Teaching
'Get your teaching career underway today!'
So today I received an email in my inbox from the recruitment department at education.gov.uk which greatly excited me! The e-mail invited me to a teaching seminar in Coventry next month which is an event that allows individuals with a passion to peruse teaching as a career to gain more of an insight into the job itself through an evening of presentations into different training options, the chance to network with teacher professionals, and the chance to talk to current practicing teachers about life in the classroom.
As explained on my You Tube video 'Starting out on BAPP Arts', I explained that eventually I would love to become a teacher in secondary education in the arts department, and although I am still studying, auditioning and need to gain QTS, attending this seminar is a step in the right direction. For anyone else that is interested in teaching as a future career I would highly recommend looking through the website that I registered on (link below), as it assists with how to get started, what you need to become a teacher, and advice on applications and events that happen near you.
https://www.gov.uk/government/organisations/department-for-education
So today I received an email in my inbox from the recruitment department at education.gov.uk which greatly excited me! The e-mail invited me to a teaching seminar in Coventry next month which is an event that allows individuals with a passion to peruse teaching as a career to gain more of an insight into the job itself through an evening of presentations into different training options, the chance to network with teacher professionals, and the chance to talk to current practicing teachers about life in the classroom.
As explained on my You Tube video 'Starting out on BAPP Arts', I explained that eventually I would love to become a teacher in secondary education in the arts department, and although I am still studying, auditioning and need to gain QTS, attending this seminar is a step in the right direction. For anyone else that is interested in teaching as a future career I would highly recommend looking through the website that I registered on (link below), as it assists with how to get started, what you need to become a teacher, and advice on applications and events that happen near you.
https://www.gov.uk/government/organisations/department-for-education
Thursday, 3 November 2016
Part 2 (Module 1) Skype Session, Reflection, and Research.
Monday 31st October, 2016 marked the checkpoint of part 1, and the beginning of part 2 of the 1st module. For this online Skype session, myself and three others discussed reflection. Whether it be in terms of self reflection, reflection of an event or situation, and reflection in terms of literature.
From the module handbook it states that we are to keep a journal of our own thoughts on a daily basis to get us used to the whole idea of reflection which will enable us to gain critical skills when conducting analysis. During the Skype session, we were advised to take a look at the research and works of David Boud and a few others to get some inspiration and understanding on the reflection process which is something I plan to do and study over the course of part 2 to help me develop as a writer.
We also talked about our own experiences in practice and how that particular experience encouraged us to reflect and how we made particular situations work under various circumstances. Two of the other students mentioned that under their working environment, they had to work with other individuals who on a personal level they did not necessarily see eye to eye, however they had to make it work on a professional level encouraging them to reflect on how they dealt with the situation in hand. Another member of the group shared that her dance team had some negative feedback which resulted in her and her team going away to discuss and fix what went wrong. My own experience on reflection has been auditioning. Although i have been unsuccessful in the last two auditions, it makes me go away and turn a negative into a positive. Evaluating myself in terms of what differs me from the dancers who were fortunate in the previous auditions. However sometimes, it is not just about dance ability, there are other factors which come into play such as height, image, hair colour, who you know etc.
Another part of the session was dedicated to what type of learner we would perceive ourselves which really interested me. For example;
Personally, I would say that I learn from elements of each one however, if I were to choose one, it would be a pragmatist learner, and this is because it allows you to learn by your mistakes. If you put an idea into practice and it fails, you know what went wrong and why, which also allows you to acknowledge what worked, and the elements that did not work, need changing until the idea is a success.
From the module handbook it states that we are to keep a journal of our own thoughts on a daily basis to get us used to the whole idea of reflection which will enable us to gain critical skills when conducting analysis. During the Skype session, we were advised to take a look at the research and works of David Boud and a few others to get some inspiration and understanding on the reflection process which is something I plan to do and study over the course of part 2 to help me develop as a writer.
We also talked about our own experiences in practice and how that particular experience encouraged us to reflect and how we made particular situations work under various circumstances. Two of the other students mentioned that under their working environment, they had to work with other individuals who on a personal level they did not necessarily see eye to eye, however they had to make it work on a professional level encouraging them to reflect on how they dealt with the situation in hand. Another member of the group shared that her dance team had some negative feedback which resulted in her and her team going away to discuss and fix what went wrong. My own experience on reflection has been auditioning. Although i have been unsuccessful in the last two auditions, it makes me go away and turn a negative into a positive. Evaluating myself in terms of what differs me from the dancers who were fortunate in the previous auditions. However sometimes, it is not just about dance ability, there are other factors which come into play such as height, image, hair colour, who you know etc.
Another part of the session was dedicated to what type of learner we would perceive ourselves which really interested me. For example;
Activist
|
Learn through doing.
|
Reflector
|
Learn through observing.
|
Theorist
|
Learning through logical thinking.
|
Pragmatist
|
Putting ideas into practice and testing them out.
|
Personally, I would say that I learn from elements of each one however, if I were to choose one, it would be a pragmatist learner, and this is because it allows you to learn by your mistakes. If you put an idea into practice and it fails, you know what went wrong and why, which also allows you to acknowledge what worked, and the elements that did not work, need changing until the idea is a success.
(blog.prezi.com, 2016)
Above is another chart which outlines four different methods of learning, however there are elements in both. This chart categories the methods as listening, experimenting which is similar to pragmatist,
reading and writing, and visualizing.
For my own research I asked 10 people, which type of learner they are, either an activist, a reflector, a theorist or a pragmatist, and the findings are displayed in a chart above. From my results, I have found that the most common form of learning was the 'activist' and the lowest form of learning was the reflector and theorist with just one person each identifying themselves as a reflector and theorist. This part of the Skype session on Monday 31st intrigued me a lot, as I am greatly interested in perusing a career in teaching, and this allows me to recognise that everyone learns best through different methods.
Blog.prezi.com [online]. Available from:
[Accessed 03.11.16]
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